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Ian Whitcomb (born Ian Timothy Whitcomb in Woking on 10 July 1941; died 19 April 2020) was an English entertainer, singer-songwriter, record producer, writer, broadcaster and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on the US Billboard Hot 100 chart in 1965.
Whitcomb formed his R&B group Bluesville in Dublin, Ireland. He never had a hit in the U.K. and wasn't all that wild about rock & roll in the first place, preferring traditional forms of blues, ragtime, and Tin Pan Alley. His song "You Turn Me On" -- a tongue-in-cheek three-chord knockoff at the end of a session with exaggerated falsetto vocals and an unforgettable orgasmic vocal hook -- hit number eight in America in 1965, and Whitcomb was briefly a star. The bluesy follow-up, "N-N-Nervous," was a small hit, and that was the end of Whitcomb's hit-making days.
Not much of a rock & roll singer, Whitcomb quickly turned to vaudevillian, British music hall-styled material on his subsequent releases, with meager commercial (and artistic) results. A dedicated archivist, Whitcomb's book, After the Ball, is a thorough history of pre-rock popular music forms.
Ian Whitcomb (born Ian Timothy Whitcomb in Woking on 10 July 1941; died 19 April 2020) was an English entertainer, singer-songwriter, record producer, writer, broadcaster and actor. As part of the British Invasion, his hit song "You Turn Me On" reached number 8 on the US Billboard Hot 100 chart in 1965.
Whitcomb formed his R&B group Bluesville in Dublin, Ireland. He never had a hit in the U.K. and wasn't all that wild about rock & roll in the first place, preferring traditional forms of blues, ragtime, and Tin Pan Alley. His song "You Turn Me On" -- a tongue-in-cheek three-chord knockoff at the end of a session with exaggerated falsetto vocals and an unforgettable orgasmic vocal hook -- hit number eight in America in 1965, and Whitcomb was briefly a star. The bluesy follow-up, "N-N-Nervous," was a small hit, and that was the end of Whitcomb's hit-making days.
Not much of a rock & roll singer, Whitcomb quickly turned to vaudevillian, British music hall-styled material on his subsequent releases, with meager commercial (and artistic) results. A dedicated archivist, Whitcomb's book, After the Ball, is a thorough history of pre-rock popular music forms.
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