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Australian duo Otologic traverse wave, post punk, outsider club & dubwise meanderings in constant delay.
Regional hip-hop of every persuasion from the No White Tees crew up in Manchester.
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Before becoming French pop star Charles de Goal, Patrick Blain was part of C.O.M.A, an electropunk band that recorded one bizarre album, chock with ideas, then dismantled shortly after.
Some will find similarities to Metal Urbain in their sound, especially tracks like "Assaut," but C.O.M.A is perhaps the stranger, dumber beast—an eclectic mix of clangy guitar punk, proto-industrial synth, harmonica, and slapdash electronic drums. Each song is its own experiment. You can hear the auspice of that tone in C.O.M.A. Blain started Charles de Goal just a year after this release, but it wasn't until 1984 that the group crossed over into the mainstream. In 1983, Blain reconvened with C.O.M.A members Philippe Huart and Philippe Ross as Danse Macabre.
Before becoming French pop star Charles de Goal, Patrick Blain was part of C.O.M.A, an electropunk band that recorded one bizarre album, chock with ideas, then dismantled shortly after.
Some will find similarities to Metal Urbain in their sound, especially tracks like "Assaut," but C.O.M.A is perhaps the stranger, dumber beast—an eclectic mix of clangy guitar punk, proto-industrial synth, harmonica, and slapdash electronic drums. Each song is its own experiment. You can hear the auspice of that tone in C.O.M.A. Blain started Charles de Goal just a year after this release, but it wasn't until 1984 that the group crossed over into the mainstream. In 1983, Blain reconvened with C.O.M.A members Philippe Huart and Philippe Ross as Danse Macabre.
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