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1
London
21:00 - 23:00

Don't sleep on the flute – an often overlooked woodwind instrument in the history of jazz, the humble flute has brought a unique warmth to many of the genre's great records, and has had an influence across post-bop, spiritual, fusion and beyond.

2
London
22:00 - 23:00

The Nairobi-based producer handles business in the London studio with an hour of genre-defying club tracks, from Jersey club to gengetone to gqom.

Aruán Ortiz

Aruán Ortiz

Aruán Ortiz has been played on NTS in shows including Phil's Jazz Dis-Junction, featured first on 6 February 2020. Songs played include Arabesques Of A Geometrical Rose, Inside Rhythmic Falls. Part I (Sacred Codes) and Marímbula's Mood.

Aruán Ortiz, “the latest Cuban wunderkind to arrive in the United States” (BET Jazz), hit the ground running when he came on the American jazz scene in 2003. A former classically trained violist and pianist, this Santiago de Cuba native’s sound is as marked by the influence of the contemporary classical composers such as Schoenberg, Ravel, and Copland as by traditional Afro Cuban sounds and jazz greats Bud Powell, Art Tatum, and Thelonious Monk.

Aruán’s jazz career took off in Europe after being recipient of various awards including Best Jazz Interpretation, Festival de Jazz in Vic, Spain (2000) and Semifinalist, Jas Hennessy Piano Solo Competition, Montreux, Switzerland (2001). He soon became a first call pianist in Barcelona and Paris. Since arriving in the US, he has played steadily with Wallace Roney, Antoine Roney, Terri Lyne Carrington, Greg Osby, and Cindy Blackman. He has also played or recorded with Esperanza Spalding, Gary Thomas, Wayne Krantz, Rasheed Ali, Stefon Harris, Horacio “El Negro” Hernández, Giovanni Hidalgo, George Garzone, Jane Bunnett, and Jerry Bergonzi among other great jazz artists.

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Aruán Ortiz

Aruán Ortiz has been played on NTS in shows including Phil's Jazz Dis-Junction, featured first on 6 February 2020. Songs played include Arabesques Of A Geometrical Rose, Inside Rhythmic Falls. Part I (Sacred Codes) and Marímbula's Mood.

Aruán Ortiz, “the latest Cuban wunderkind to arrive in the United States” (BET Jazz), hit the ground running when he came on the American jazz scene in 2003. A former classically trained violist and pianist, this Santiago de Cuba native’s sound is as marked by the influence of the contemporary classical composers such as Schoenberg, Ravel, and Copland as by traditional Afro Cuban sounds and jazz greats Bud Powell, Art Tatum, and Thelonious Monk.

Aruán’s jazz career took off in Europe after being recipient of various awards including Best Jazz Interpretation, Festival de Jazz in Vic, Spain (2000) and Semifinalist, Jas Hennessy Piano Solo Competition, Montreux, Switzerland (2001). He soon became a first call pianist in Barcelona and Paris. Since arriving in the US, he has played steadily with Wallace Roney, Antoine Roney, Terri Lyne Carrington, Greg Osby, and Cindy Blackman. He has also played or recorded with Esperanza Spalding, Gary Thomas, Wayne Krantz, Rasheed Ali, Stefon Harris, Horacio “El Negro” Hernández, Giovanni Hidalgo, George Garzone, Jane Bunnett, and Jerry Bergonzi among other great jazz artists.

Original source: Last.fm

Tracks featured on

Most played tracks

Arabesques Of A Geometrical Rose
Don Byron, Aruán Ortiz
Intakt Records2018
Inside Rhythmic Falls. Part I (Sacred Codes)
Aruán Ortiz, Andrew Cyrille, Mauricio Herrera
Intakt Records2020
Marímbula's Mood
Aruán Ortiz, Andrew Cyrille, Mauricio Herrera
Intakt Records2020