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In this episode Lucia Kagramanyan delves deep into the Armenian lullaby tradition and the authorship of women behind this ancient craft, and transmission of sorrow, trauma and joys of Armenian people reflected in it. Hear lullabies from different parts of Western and Eastern Armenia following folk tradition as well as lullabies in classical pop, opera from the Soviet period. The project is curated by League of Tenders, as a part of Vleeshal's Nomadic Program 2024–2025, entitled “Repetition is a Form of Changing.” Vleeshal is a center for contemporary art in Middelburg, the Netherlands, recognized for versatile, vibrant, and vital projects presented both within the walls of its unique Gothic exhibition space and beyond.
forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle.
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The Jazz June started their eight year run in 1996 in a small town in Pennsylvania named Kutztown. The 5 of them all met at Kutztown University and started playing shows in basements and garages throughout Kutztown, PA. The band took their favorite aspects of indie rock, punk and post hardcore and made it their own. Each songs precision seems to be countered by just the opposite - the ever-so-often changeups can throw the new listener off a bit, creating a conglomeration of noise and melody as if 5 different bands were to play at once.
The band stopped playing live in 2004, but remained close and continued to write songs and collaborate on each others projects. In 2013 the band has returned to form in a non-traditional or virtual sense and have indicated new songs are in the pipeline.
The Jazz June started their eight year run in 1996 in a small town in Pennsylvania named Kutztown. The 5 of them all met at Kutztown University and started playing shows in basements and garages throughout Kutztown, PA. The band took their favorite aspects of indie rock, punk and post hardcore and made it their own. Each songs precision seems to be countered by just the opposite - the ever-so-often changeups can throw the new listener off a bit, creating a conglomeration of noise and melody as if 5 different bands were to play at once.
The band stopped playing live in 2004, but remained close and continued to write songs and collaborate on each others projects. In 2013 the band has returned to form in a non-traditional or virtual sense and have indicated new songs are in the pipeline.
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