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Angie, Anna, Sonja & Ophelia from BABAJI know each other from the VOX-ARTIS PHILHARMOINC ORCHESTRA, which has specialised in particular in POP& Cross-Over productions.
Here they are the respective concertmasters and section leaders of the orchestra violins.
With this orchestra, they have already accompanied different TV and/or DVD productions, amongst others also big LIVE productions with Sarah Connor or Seal.
All of them have a profound classical violin education, but have also been fascinated since their early childhood by pop music and followed this interest in own bands or by participating in other ensemble projects.
Furthermore, since several years they are often engaged, all together but also in different combinations, by international POP Acts or Bands for tours or TV productions, precisely because they love and cope with POP music and, what is extremely important in LIVE gigs, master the in “ear play”, which is normally unpopular amongst classical musicians. Usually, strings really do not like it, because an orchestra musician prefers to work agogic-dynamically, i. e. he or she prefers to follow the flow and beat of the conductor, who can varies to a great deal, than to adapt to the rhythmic click of a drumpad.
Quoted from: http://www.babajimusic.com/
Angie, Anna, Sonja & Ophelia from BABAJI know each other from the VOX-ARTIS PHILHARMOINC ORCHESTRA, which has specialised in particular in POP& Cross-Over productions.
Here they are the respective concertmasters and section leaders of the orchestra violins.
With this orchestra, they have already accompanied different TV and/or DVD productions, amongst others also big LIVE productions with Sarah Connor or Seal.
All of them have a profound classical violin education, but have also been fascinated since their early childhood by pop music and followed this interest in own bands or by participating in other ensemble projects.
Furthermore, since several years they are often engaged, all together but also in different combinations, by international POP Acts or Bands for tours or TV productions, precisely because they love and cope with POP music and, what is extremely important in LIVE gigs, master the in “ear play”, which is normally unpopular amongst classical musicians. Usually, strings really do not like it, because an orchestra musician prefers to work agogic-dynamically, i. e. he or she prefers to follow the flow and beat of the conductor, who can varies to a great deal, than to adapt to the rhythmic click of a drumpad.
Quoted from: http://www.babajimusic.com/
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