Latest played tracks from this episode
Similar to what you are listening to
Sorry, we couldn't find any episodes.
Please try again later...
This mixtape brings together a selection of Peruvian artists whose productions draw from electronic dance genres still present in nightclubs across the working-class neighborhoods of Lima, particularly in the southern districts of Chorrillos. Hi-NRG, Eurodance, and Trance form a sonic continuum that has shaped the regular repertoire of these venues. This selection traces those influences within Peruvian music production, establishing connections between a musical practice and a dance history rooted in these spaces.
A winding journey through the catalogue of All Night Flight's Stockport record store, spanning from modern classical and free-flowing jazz to a wide soundscape of dark ambient, folk and techno… with All Night Flight, anything goes!
Sign up or log in to MY NTS and get personalised recommendations
Support NTS for timestamps across live channels and the archive
Dora Pejačević (September 10, 1885, Budapest – March 5, 1923, Munich) was the first Croatian female composer.
Dora Pejačević was a daughter of an excellent Croatian pianist and singer Lilla Pejačević, who gave her her first music lessons. Dora began to compose when she was only 12. She studied music in Zagreb, Dresden and Münich. She married in 1921. Although she led a lonely life, she met many eminent musicians and writers, and was friends with Austrian journalist and writer Karl Kraus and Czech aristocrat and culture patron Sidonie Nádherná.
She left behind a rich opus of 58 pieces in a late romantic style, mostly for piano or chamber orchestra. Most of it has not been published or recorded yet. There is a symphony in F sharp minor from 1916/20, her opus 41 [1], a piano quartet in D minor opus 25, a piano quintet in B minor opus 40, a piano sonata in B flat minor (her opus 36, published by Hrvatsko muzikološko društvo in 2002) [2] and another in A flat major (her opus 57) , a piano concerto (opus 33 in G minor, 1913, published by Izdanja Muzikološkog Zavoda Muzičke Akademije in 1982) [3], a violin sonata (op. 26 in D major ) and a cello sonata (op. 35 in E minor) .
Pejačević is buried at the local cemetery in Našice (Croatia).
Dora Pejačević (September 10, 1885, Budapest – March 5, 1923, Munich) was the first Croatian female composer.
Dora Pejačević was a daughter of an excellent Croatian pianist and singer Lilla Pejačević, who gave her her first music lessons. Dora began to compose when she was only 12. She studied music in Zagreb, Dresden and Münich. She married in 1921. Although she led a lonely life, she met many eminent musicians and writers, and was friends with Austrian journalist and writer Karl Kraus and Czech aristocrat and culture patron Sidonie Nádherná.
She left behind a rich opus of 58 pieces in a late romantic style, mostly for piano or chamber orchestra. Most of it has not been published or recorded yet. There is a symphony in F sharp minor from 1916/20, her opus 41 [1], a piano quartet in D minor opus 25, a piano quintet in B minor opus 40, a piano sonata in B flat minor (her opus 36, published by Hrvatsko muzikološko društvo in 2002) [2] and another in A flat major (her opus 57) , a piano concerto (opus 33 in G minor, 1913, published by Izdanja Muzikološkog Zavoda Muzičke Akademije in 1982) [3], a violin sonata (op. 26 in D major ) and a cello sonata (op. 35 in E minor) .
Pejačević is buried at the local cemetery in Našice (Croatia).
Thanks!
Your suggestion has been successfully submitted.
Thanks!
Your suggestion has been successfully submitted.
