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Breakfast, in Flo motion - served by Flo Dill, every Monday to Wednesday.
Death Is Not The End digs up the oldest of the old, serving up your gospel, blues and folk with a crackle. Hear the dust.
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Combining their deep study of classical music with a naturally warm and exuberant approach to audiences and students, the Aizuri Quartet is passionate about creating diverse points of entry into the string quartet repertoire. As its 2015 resident ensemble, the Quartet worked closely with Philadelphia’s Barnes Foundation to develop programs and commission new works that forged meaningful connections between music and visual art. The Quartet was featured throughout the Curtis-Coursera online course “The World of the String Quartet,” which was hosted by Arnold Steinhardt and has reached thousands of students from over a hundred countries.
Comprising four distinctive musical personalities, “each one a magnificent musician in her own right” (Washington Post), the Aizuri Quartet “is in full possession of that most elusive of string quartet qualities: the balance between charisma of the individual and cohesion of the collective” (Philadelphia Inquirer). Formed in 2012, the Aizuri Quartet draws its name from “aizuri-e,” a style of predominantly blue Japanese woodblock printing that is noted for its vibrancy and incredible detail.
Combining their deep study of classical music with a naturally warm and exuberant approach to audiences and students, the Aizuri Quartet is passionate about creating diverse points of entry into the string quartet repertoire. As its 2015 resident ensemble, the Quartet worked closely with Philadelphia’s Barnes Foundation to develop programs and commission new works that forged meaningful connections between music and visual art. The Quartet was featured throughout the Curtis-Coursera online course “The World of the String Quartet,” which was hosted by Arnold Steinhardt and has reached thousands of students from over a hundred countries.
Comprising four distinctive musical personalities, “each one a magnificent musician in her own right” (Washington Post), the Aizuri Quartet “is in full possession of that most elusive of string quartet qualities: the balance between charisma of the individual and cohesion of the collective” (Philadelphia Inquirer). Formed in 2012, the Aizuri Quartet draws its name from “aizuri-e,” a style of predominantly blue Japanese woodblock printing that is noted for its vibrancy and incredible detail.
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