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Infamous Beirut DJ Ernesto Chahoud takes over the NTS signal for his monthly 'Beirut Daze' slot, recorded in Lebanon and showcasing music from his far-ranging collection.
Who else sounds like Larry Heard? In the late 1980s, The Chicago house producer was one of the first artists – initially as a part of Fingers, Inc., and then as a solo act – to truly stamp their own unique aesthetic onto the nascent style of electronic dance music. Favouring lush instrumentation, foggy chords and dreamy melodies over the more mechanic pounding of many of his counterparts, he inspired the "deeper" sounds of the midwest's second wave, and generations of young clubbers elsewhere around the world. This In Focus features close to 3 hours of untouchable deep house beauty from Larry Heard - compiled, mixed and edited by Giles Smith.
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As Faye Scruggs (her married name), she became a regular performer in New York nightclubs in the late 1940s and early 1950s. While performing in Atlanta, Georgia, she was discovered by singer Ruth Brown, who won her an audition with bandleader Joe Morris of Atlantic Records. Changing her name to Faye Adams, Morris recruited her as a singer in 1952, and signed her to Herald Records. Her first release was Morris's song "Shake a Hand", which topped the U.S. R&B chart for ten weeks in 1953 and made number 22 on the U.S. pop chart.
In 1954, Faye had two more R&B chart toppers with "I'll Be True" (covered by Bill Haley) and "It Hurts Me to My Heart". During this period, she left the Morris band and was billed as "Atomic Adams". In 1955 she appeared in the film Rhythm & Blues Revue, and in 1957 moved to Imperial Records, but her commercial success diminished. By the late 1950s she was seen as an older recording artist whose time had come and gone, although she continued to record for various smaller labels until the early 1960s.
By 1963 she had retired from the music industry. She returned to her gospel roots and family life in New Jersey.
As Faye Scruggs (her married name), she became a regular performer in New York nightclubs in the late 1940s and early 1950s. While performing in Atlanta, Georgia, she was discovered by singer Ruth Brown, who won her an audition with bandleader Joe Morris of Atlantic Records. Changing her name to Faye Adams, Morris recruited her as a singer in 1952, and signed her to Herald Records. Her first release was Morris's song "Shake a Hand", which topped the U.S. R&B chart for ten weeks in 1953 and made number 22 on the U.S. pop chart.
In 1954, Faye had two more R&B chart toppers with "I'll Be True" (covered by Bill Haley) and "It Hurts Me to My Heart". During this period, she left the Morris band and was billed as "Atomic Adams". In 1955 she appeared in the film Rhythm & Blues Revue, and in 1957 moved to Imperial Records, but her commercial success diminished. By the late 1950s she was seen as an older recording artist whose time had come and gone, although she continued to record for various smaller labels until the early 1960s.
By 1963 she had retired from the music industry. She returned to her gospel roots and family life in New Jersey.
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