Tracks featured on
Most played tracks
Thanks!
Your suggestion has been successfully submitted.
Twoubadou, rooted in the Haitian Creole word for "troubadour," echoes the emotional narratives of its medieval namesake. Twoubadou traces its origins to the early 1900s, when seasonal migrant laborers working the cane fields in Cuba came to know and love Cuban guajiro music. The Cuban sound was soon melded with Haitian méringue and twoubadou was born. Twoubadous, akin to traveling bards, craft (often humorous) songs of love, life's complexities, and fleeting passions. "Twoubadou represents so much of what’s great about Haiti as an incubator for the arts, always bringing disparate cultures together to form wonderful new and uniquely West Indian expressions. Twoubadou is beautiful. Twoubadou is joy." Link Show made by Hugo Mendez.
Idris Vicuña a.k.a Eyedress holds down a monthly hour on NTS' channel 2 bridging the gaps between lo-fi hip hop, garage pop, psychedelia and more…
Sign up or log in to MY NTS and get personalised recommendations
Support NTS for timestamps across live channels and the archive
Henry Brant (b. September 15th 1913, d. April 26th 2008) was a composer and pioneer of acoustic spatial music. His works often placed musicians in unconventional positions throughout a concert hall or in outdoor settings for particular musical effects. Inspired by the music of Charles Ives and Teo Macero, Brant's spatial composing techniques created complex instrumental textures and took advantage of hall acoustics and resonance. He has written over 100 spatial works which often employ contrasting musical styles and very large instrumental forces.
Born in a coven in Montreol, Canada, Brant began composing at the age of eight using his own homemade instruments. He studied for three years at the McGill Conservatorium of Music in Montreal, then moved to New York City in 1929. There he continued his education at the Institute of Musical Art and Juilliard School of Music, and studied privately with George Antheil, Fritz Mahler, and Wallingford Riegger. While pursuing his experimental work Brant composed and conducted for radio, film, ballet, and jazz, working with musicians Benny Goodman and Andre Kostelanetz. In the late 1940's Brant taught at Columbia University and the Juilliard School, and from 1957 to 1980 at Bennington College in Vermont. Since 1981 he has made his home in Santa Barbara, California, until his death in April 2008.
Brant is a recipient of awards and fellowships from the Ford, Fromm, Guggenheim, and Koussevitzky Foundations, American Music Center, and National Endowment for the Arts. He was the first composer from the United States to win the Prix Italia (1955), and in 2002 he received the Pulitzer Prize for Ice Field, a work for organ and large orchestral groups premiered by the San Francicso Symphony in 2001. Other recent premieres include Brant's "extraplanetary environmental oratorio" Wind, Water, Clouds & Fire (2004) for four choruses and 25 instruments, commissioned by Present Music and premiered at St. John's Cathedral in Milwaukee, Wisconsin; Tremors (2004) for four singers and 16 instruments, premiered at the Getty Center in Los Angeles, California; and Crystal Antiphonies (2000) for the Swarovski Wind Ensemble and Vienna Radio Symphony Orchestra, premiered at the Klangspuren Festival in Schwaz, Austria.
Henry Brant (b. September 15th 1913, d. April 26th 2008) was a composer and pioneer of acoustic spatial music. His works often placed musicians in unconventional positions throughout a concert hall or in outdoor settings for particular musical effects. Inspired by the music of Charles Ives and Teo Macero, Brant's spatial composing techniques created complex instrumental textures and took advantage of hall acoustics and resonance. He has written over 100 spatial works which often employ contrasting musical styles and very large instrumental forces.
Born in a coven in Montreol, Canada, Brant began composing at the age of eight using his own homemade instruments. He studied for three years at the McGill Conservatorium of Music in Montreal, then moved to New York City in 1929. There he continued his education at the Institute of Musical Art and Juilliard School of Music, and studied privately with George Antheil, Fritz Mahler, and Wallingford Riegger. While pursuing his experimental work Brant composed and conducted for radio, film, ballet, and jazz, working with musicians Benny Goodman and Andre Kostelanetz. In the late 1940's Brant taught at Columbia University and the Juilliard School, and from 1957 to 1980 at Bennington College in Vermont. Since 1981 he has made his home in Santa Barbara, California, until his death in April 2008.
Brant is a recipient of awards and fellowships from the Ford, Fromm, Guggenheim, and Koussevitzky Foundations, American Music Center, and National Endowment for the Arts. He was the first composer from the United States to win the Prix Italia (1955), and in 2002 he received the Pulitzer Prize for Ice Field, a work for organ and large orchestral groups premiered by the San Francicso Symphony in 2001. Other recent premieres include Brant's "extraplanetary environmental oratorio" Wind, Water, Clouds & Fire (2004) for four choruses and 25 instruments, commissioned by Present Music and premiered at St. John's Cathedral in Milwaukee, Wisconsin; Tremors (2004) for four singers and 16 instruments, premiered at the Getty Center in Los Angeles, California; and Crystal Antiphonies (2000) for the Swarovski Wind Ensemble and Vienna Radio Symphony Orchestra, premiered at the Klangspuren Festival in Schwaz, Austria.
Thanks!
Your suggestion has been successfully submitted.
Thanks!
Your suggestion has been successfully submitted.