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Based in Cotonou, Benin, which at the time was referred to as Dahomey, Albarika Records was founded by the French-born, Benin-based producer and entrepreneur, Emmanuel "Manu" Dibango, who had a significant influence on the local music scene. The label was instrumental in releasing records from some of the region's most prominent musicians during the golden age of African music. Many of the artists signed to Albarika Records were known for blending indigenous African rhythms with Western jazz, funk, and soul influences. This made their sound distinctive and part of a broader movement across West Africa during the 60s and 70s, as music became a form of social and political expression.
Omar Hraib presents The Witching Hour; a passage through the realms of the slow, the heavy and the strange.
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Yugoslav tape experimentalism is pretty much rare per se, but this is a rarity even for experimental music production standards in Yugoslavia. Formed in Belgrade during the latter half of the 1980ies, P.P. Nikt stands for Plastično Pozorište Nikt [or Plastic Theatre Nikt] and is the brainchild of Serbian filmmaker, theatre director and musician Dejan Vlaisavljević "Nikt".
Yugoslav tape experimentalism is pretty much rare per se, but this is a rarity even for experimental music production standards in Yugoslavia. Formed in Belgrade during the latter half of the 1980ies, P.P. Nikt stands for Plastično Pozorište Nikt [or Plastic Theatre Nikt] and is the brainchild of Serbian filmmaker, theatre director and musician Dejan Vlaisavljević "Nikt".
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