Osnabrück/Germany, 1999 marks the beginning of SANKT OTTEN’s musical cruise. Stephan Otten turned the knobs and Carsten Sandkämper sang. German vocals met Slow-Mo Pop sounds. The acoustic Film Noir for beginners and advanced students of melancholy. In the meanwhile, the vocals have been banned. ‘Instrumental’ is the mantra. But the modus operandi remains unchanged. The neverending clash between Electronics and handmade music. Postrock without Rock, Ambient meets Electronic Krautrock. The holy alliance with the virtual sound surface. Menacing but not mean. The…
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