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Veteran NTS host Hampus brings you Doing Time: a genre-agnostic monthly trip through quality records from around the world’s past and present, featuring regular appearances from musical friends and family.
D.C. reissue and private press label People's Potential Unlimited specialise in preserving the weirdest and rarest of boogie, funk, and more from the 70s and 80s - plus a new generation of artists drawing from the lo-fi DIY sounds of the cosmic boogie past. This special includes tracks from 1979-1989 by Glass Pyramid, Flikk, L.S. Movement Band & many more.
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Leo Weiner (Hungarian: 'Weiner Leó'; 16 April 1885 – 13 September 1960), was one of the leading Hungarian music educators of the first half of the twentieth century and a composer.
Education
Weiner was born in Budapest. He had his first music and piano lessons from his brother, and later studied at the Academy of Music in Budapest, studying with János (Hans) Koessler. While there, he won numerous prizes, including: the Franz Liszt Stipend, the Volkmann Prize, and the Erkel Prize, all for one composition: his Serenade, Op. 3. Teaching career
In 1908, he became a theory teacher at the Budapest Academy of Music. He was appointed Professor of Composition in 1912 and Professor of Chamber Music in 1920. In 1949 he became Emeritus Professor, but he continued to teach until the end of his life. He died in Budapest. Compositions
As a composer, the Romantics from Beethoven through Mendelssohn most strongly affected Weiner's musical approach. His sense of orchestral color seems to relate to those French composers who were not notably affected by Wagner, especially to that of Bizet. This solid and conservative Romantic approach served the basis for his style which later was influenced by elements of Hungarian folk music. However, he did not conduct research in the area of folk music, as his contemporaries Bartók and Kodály did, but simply shared an interest in the subject and employed some elements of folk music without affecting his established harmonic language.
Among Weiner's notable compositions are a string trio, three string quartets, two violin sonatas, five divertimenti for orchestra, a symphonic poem, and numerous chamber and piano pieces. Most pianists will instantly recognize his lively "Fox Dance".
Leo Weiner (Hungarian: 'Weiner Leó'; 16 April 1885 – 13 September 1960), was one of the leading Hungarian music educators of the first half of the twentieth century and a composer.
Education
Weiner was born in Budapest. He had his first music and piano lessons from his brother, and later studied at the Academy of Music in Budapest, studying with János (Hans) Koessler. While there, he won numerous prizes, including: the Franz Liszt Stipend, the Volkmann Prize, and the Erkel Prize, all for one composition: his Serenade, Op. 3. Teaching career
In 1908, he became a theory teacher at the Budapest Academy of Music. He was appointed Professor of Composition in 1912 and Professor of Chamber Music in 1920. In 1949 he became Emeritus Professor, but he continued to teach until the end of his life. He died in Budapest. Compositions
As a composer, the Romantics from Beethoven through Mendelssohn most strongly affected Weiner's musical approach. His sense of orchestral color seems to relate to those French composers who were not notably affected by Wagner, especially to that of Bizet. This solid and conservative Romantic approach served the basis for his style which later was influenced by elements of Hungarian folk music. However, he did not conduct research in the area of folk music, as his contemporaries Bartók and Kodály did, but simply shared an interest in the subject and employed some elements of folk music without affecting his established harmonic language.
Among Weiner's notable compositions are a string trio, three string quartets, two violin sonatas, five divertimenti for orchestra, a symphonic poem, and numerous chamber and piano pieces. Most pianists will instantly recognize his lively "Fox Dance".
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