My NTS
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1
New York
04:00 - 05:00

Lesser heard punk sounds from NYC collector & DJ Sara A.

2
PHILADELPHIA
04:00 - 05:00

An hour of recordings from one of the finest jazz vibraphone players ever to hold the mallets. Raised in Philadelphia, Khan Jamal began playing vibes (and later marimba) as a teenager in the 1960s. By the end of the decade and into the 1970s, Khan would become a notable figure in the more exploratory fringes of the jazz scene, playing with drummer and free jazz pioneer Sunny Murray, and playing a role in Sun Ra's Arkestra. Jamal would be one of the first artists to bridge the oftentimes disparate attitudes of free jazz and jazz fusion, creating work that straddled both. Photo: Jan Persson

Jaeho Hwang

Jaeho Hwang hosted a guest show on 13 September 2019. Jaeho Hwang has been played on NTS over 10 times, featured on 17 episodes and was first played on 3 March 2019.

Jaeho Hwang is a London-based, South Korean composer and visual artist inspired by the Buddhist concept of impermanent selfhood. He draws from the dark, stuttering beats from London’s experimental club scene—harsh industrial sounds recall no-wave’s minimalist deconstruction. His use of traditional Korean instruments within this context, like the piri bamboo flute, or the stringed kayagum, recast traditional textures into modern form.

Jaeho Hwang is a member of Chinabot, which is a platform and collective created to change the dialogue surrounding Asian music. And he has been hosting his own radio show on 10Twenty Radio and Internet Public Radio. His show takes you on a journey through a range of genres from old Korean music to Experimental to Avant-Garde to Electro.

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Jaeho Hwang

Jaeho Hwang hosted a guest show on 13 September 2019. Jaeho Hwang has been played on NTS over 10 times, featured on 17 episodes and was first played on 3 March 2019.

Jaeho Hwang is a London-based, South Korean composer and visual artist inspired by the Buddhist concept of impermanent selfhood. He draws from the dark, stuttering beats from London’s experimental club scene—harsh industrial sounds recall no-wave’s minimalist deconstruction. His use of traditional Korean instruments within this context, like the piri bamboo flute, or the stringed kayagum, recast traditional textures into modern form.

Jaeho Hwang is a member of Chinabot, which is a platform and collective created to change the dialogue surrounding Asian music. And he has been hosting his own radio show on 10Twenty Radio and Internet Public Radio. His show takes you on a journey through a range of genres from old Korean music to Experimental to Avant-Garde to Electro.

Original source: Last.fm

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Transience
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Yellow Eardrum
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Betweenness = 사이
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I was called
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On The Way To The End
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Dissolution
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Moult
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Monologue 獨白 (Jaeho Hwang Remix)
ASJ (Jaeho Hwang mix)
Absurd Trax2019
Dystopia
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DAEBOOK
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