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Eglo Records' main man Alexander Nut joins us for some slick late night futurism. Broken beat, soul, and whatever else happens to take his fancy.
Los Angeles-based artist and filmmaker Arthur Jafa graces the NTS signal for an hour of varied sounds spanning soul classics, chopped and screwed tracks, his own edits and recordings. Jafa joins his peer across the Atlantic, Mark Leckey for HARDCORE / LOVE, a joint showcase at the Whitgift Centre, Croydon, presented by Conditions. Running until 10th August, 2025.
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Balancing his affinity for new-school deep house beats with an early fixation for jazzy textures, indie-rock and Warp's bleep techno, Daniel Ibbotson is a producer-by-accident, a home-production aficionado who put together a demo tape during 1995 while studying at the Glasgow School of Arts for his photography degree. After sending it to the electro label Clear Records (whose buzzed-about résumé included incarnations of µ-Ziq, Black Dog and Global Communication), the label released some of the material as the Souped-Up EP in August 1996. More than enough material was left for an entire album, released in 1998 for the Clear spin-off Reel Discs. Ibbotson also remixed Friend & Doktor Kosmos, and appeared on the Compost collection Future Sound of Jazz, Vol. 3; he returned in 1999 with Frequency and Phase.
Balancing his affinity for new-school deep house beats with an early fixation for jazzy textures, indie-rock and Warp's bleep techno, Daniel Ibbotson is a producer-by-accident, a home-production aficionado who put together a demo tape during 1995 while studying at the Glasgow School of Arts for his photography degree. After sending it to the electro label Clear Records (whose buzzed-about résumé included incarnations of µ-Ziq, Black Dog and Global Communication), the label released some of the material as the Souped-Up EP in August 1996. More than enough material was left for an entire album, released in 1998 for the Clear spin-off Reel Discs. Ibbotson also remixed Friend & Doktor Kosmos, and appeared on the Compost collection Future Sound of Jazz, Vol. 3; he returned in 1999 with Frequency and Phase.
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