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MOBBS chopping up whatever he finds ohm.mobbs@protonmail.com
This newest transmission is an exploration into my favorite pockets of the Amapiano sound that I've gathered over time. Producers like Lowbass Djy, Buzkin Keyz, Hotfurze, and Jazza MusiQ all represent a constant flow of Ama that, from where I stand, is on the periphery in the best ways right now. This is just a little personal jumping off point into the constant stream of absolute heater tracks these and adjacent artists are churning out. Enjoy!
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Urs Graf Consort, a collective with a corrupted genealogy, produces simulacra, songs nested within themselves, with the experimental accents of Ursonate. Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in etchings by the Swiss engraver Urs Graf. The song, an object, is essayist, narrative, dramatic, and serves like a space to wander, a waterway whose banks meet only at its source and nevertheless form a whole, subtly fragmented, off-the-cuff punctuations that have no other purpose than to accentuate the fluidity of the whole in the play of obstacles; splashing, sinking, diving, shouting, while the pulsing of the commas continues to respond to the luminous undulation of the surface when, with a communal shiver, the buttocks disappear beneath the cool water.
Urs Graf Consort, a collective with a corrupted genealogy, produces simulacra, songs nested within themselves, with the experimental accents of Ursonate. Prune Bécheau and Adrien Bardi-Bienenstock are composers and performers for ensembles that are as varied as the motley company brought together in etchings by the Swiss engraver Urs Graf. The song, an object, is essayist, narrative, dramatic, and serves like a space to wander, a waterway whose banks meet only at its source and nevertheless form a whole, subtly fragmented, off-the-cuff punctuations that have no other purpose than to accentuate the fluidity of the whole in the play of obstacles; splashing, sinking, diving, shouting, while the pulsing of the commas continues to respond to the luminous undulation of the surface when, with a communal shiver, the buttocks disappear beneath the cool water.
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