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The reason I decided to come back to this period is three fold. Firstly, an academic I once read (although promptly forgot the name of) mentioned that everyone has an unforgettable summer in their life, mine was 1991. Secondly, as the year was sandwiched in between the cool and often discussed Second Summer of Love (which actually covered to summers 1988 and 89, greedy bastards) and the explosion of legal festivals and Super-clubs of the mid-90s, this period is often forgotten about when journalists prattle on about first hearing Marshall Jefferson or Todd Terry - props to Todd and Marshall nonetheless). Finally, in a year where several iconic and culturally relevant clubs up and down the country have closed their doors due to Babylonian maneuvers I cannot help but think that without night-time outlets to rid ourselves of the stress the week can bring, but also places that work as an outlet for a our creative energies, we somehow lose one of the most important things that makes Britain great and that’s it’s musical culture.
Now I’m not saying that everyone should embrace ‘club’ music (or EDM has it’s been annoying called over the last few years), but it has been vitally important to the development of musical styles in the UK (drum and bass, grime and dub-step all instantly come to mind), but maybe it also acts as something for bands, IDM artists and traditionalists to kick against too, there’s nothing wrong with that either.