Blank Forms: One or Many Pipe 17th February 2024 | Listen on NTS

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Folk Experimental Free Jazz

In this jaunt through reeds and tubing, we follow Anton Bruhin’s claim that the trümpi is a synthesizer, tune into oscillations from Ethiopia and New Guinea, and meditate on Scelsi’s proto-synthetic arrangements for voice based on ondioline improvisations. Other highlights include Scelsi’s former associate Dary John Mizelle’s “Polytempus II” for synthesizer and percussion, as well as selections from James Rushford’s forthcoming album Turzets (Blank Forms Editions) combining organ and digital voice synthesis.

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Tracklist

Anton BruhinAnton Bruhin
Solo Improvisation
James RushfordJames Rushford
Fallaway Whisk (Excerpt)
Tshetsha BoysTshetsha Boys
Nwa Pfundla

Recorded In Damaindeh-Bau, Recorded In Damaindeh-Bau, Finisterre Range From Sacred Flute Music From New Guinea
Momo Resonating Tubes
Michiko HirayamaMichiko Hirayama
Sauh–Giacinto Scelsi
Dary John MizelleDary John Mizelle
Polytempus II
James RushfordJames Rushford
Quire (Excerpt)
Chaitanya Hari DeuterChaitanya Hari Deuter
Kundalini Meditation Music (First Stage)
Unknown Artist (From Ethiopian Urban And Tribal Music: Mindanoo Mistiru)
Bagana
Anton BruhinAnton Bruhin
Maultrommel Und Sprache