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Mughal moonwalk. An ancestral road trip, backwards or forwards? Bradford to Northern India to Uzbekistan. Taxi cruising for a bruising 500+ years in the making; along that silken road; bumpy smooth. Avoid pot holes. Baburnama legends a lad who took a land. The same Mongol spirit, forever nomading, now found in Brad lads, in Brad lands. One lamb's leather glove ready to spark; delicately-struggling, ferociously-yearning. Music doesn’t listen to borders; qawwali, grime, folk- ride time; Eurasian steppe horses drifting into deltas. Bass line of the drums are calling.

Blank Forms: One or Many Pipe
Blank Forms: One or Many Pipe
17.02.24 · New York

Blank Forms: One or Many Pipe

In this jaunt through reeds and tubing, we follow Anton Bruhin’s claim that the trümpi is a synthesizer, tune into oscillations from Ethiopia and New Guinea, and meditate on Scelsi’s proto-synthetic arrangements for voice based on ondioline improvisations. Other highlights include Scelsi’s former associate Dary John Mizelle’s “Polytempus II” for synthesizer and percussion, as well as selections from James Rushford’s forthcoming album Turzets (Blank Forms Editions) combining organ and digital voice synthesis.

Tracklist

  • Anton Bruhin 
    Solo Improvisation
  • James Rushford
    Fallaway Whisk (Excerpt)
  • Tshetsha Boys 
    Nwa Pfundla
  • Recorded In Damaindeh-Bau, Finisterre Range From Sacred Flute Music From New Guinea
    Momo Resonating Tubes
  • Michiko Hirayama
    Sauh–Giacinto Scelsi
  • Dary John Mizelle 
    Polytempus II
  • James Rushford
    Quire (Excerpt)
  • Chaitanya Hari Deuter
    Kundalini Meditation Music (First Stage)
  • Unknown Artist (From Ethiopian Urban And Tribal Music: Mindanoo Mistiru)
    Bagana
  • Anton Bruhin 
    Maultrommel Und Sprache

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