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Join Errol and the Touching Bass family every month for regular voyages into inner-city, concrete jungle productions plus astral-facing funk, jazz, broken beat and anything else with a soulful pulse.
riyl: built to spill, archers of loaf, sleeping at the diy space, power pop, being in love, arkansas as prolific as daniel johnston, gbv, or the mountain goats. and more down to earth than morrissey, prince, & oasis. i’ve chosen my favorite tracks from a collection of 17 releases under the shared title “toy key” (1-17) released between 2012 and 2022. additionally, i called sharp for the first time in a few years and we caught up over what could vaguely be defined as an “interview”. more information in the interview about our friendship, Prahnas origins, the rig rundown, etc. a far too hidden gem of american music. find hundreds of songs new and old on his bandcamp
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Georges Prêtre (14 August 1924 – 4 January 2017) was a French orchestral and opera conductor.
He was born in Waziers (Nord), and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting under André Cluytens among others at the Paris Conservatoire. Amongst his early musical interests were jazz and trumpet. After graduating, he conducted in a number of small French opera houses sometimes under the pseudonym Georges Dherain. His conducting debut was at the Opéra de Marseille in 1946. He conducted also at the opera houses in Lille and Toulouse. His Paris debut was at the Opéra-Comique in Richard Strauss' Capriccio. He was director of the Opéra-Comique 1955-1959. He conducted at the Lyric Opera of Chicago 1959-1971. He was conductor, 1959, and music director 1970-1971, at the Paris Opéra. He was principal conductor of the Vienna Symphony 1986-1991.
His Royal Opera House, Covent Garden debut came in 1961, with first appearances at the Metropolitan Opera, New York City, and La Scala, Milan, later in the 1960s. He worked with Maria Callas on a number of occasions, and made recordings of Carmen and Tosca with her. For a time he was music director of the Paris Opera.
Aside from opera, Prêtre is best known for performances of French music, having conducted long and difficult works like Debussy's La Mer and Ravel's Daphnis et Chloé without a score (i.e. from memory). He is especially associated with Francis Poulenc, giving the premiere of his opera La voix humaine at the Opéra-Comique in 1959 and his Sept répons des ténèbres in 1963. In 1999 he gave a series of concerts in Paris to celebrate the centenary of Poulenc's birth. In 1988 Marcel Landowski dedicated his Fourth Symphony to Prêtre.
He also conducted the La Scala Orchestra in Franco Zeffirelli's 1982 film versions of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci. Both films starred Placido Domingo.
Prêtre has conducted the Vienna New Year's Concert twice, in 2008 and in 2010. He is the only French conductor to have been appointed for this role so far.
Prêtre married Gina Marny in 1950, and they have two children (one son, one daughter). Interests include riding, swimming, aviation, judo, and karate.
Prêtre died in France on 4 January 2017, aged 92.
Georges Prêtre (14 August 1924 – 4 January 2017) was a French orchestral and opera conductor.
He was born in Waziers (Nord), and attended the Douai Conservatory and then studied harmony under Maurice Duruflé and conducting under André Cluytens among others at the Paris Conservatoire. Amongst his early musical interests were jazz and trumpet. After graduating, he conducted in a number of small French opera houses sometimes under the pseudonym Georges Dherain. His conducting debut was at the Opéra de Marseille in 1946. He conducted also at the opera houses in Lille and Toulouse. His Paris debut was at the Opéra-Comique in Richard Strauss' Capriccio. He was director of the Opéra-Comique 1955-1959. He conducted at the Lyric Opera of Chicago 1959-1971. He was conductor, 1959, and music director 1970-1971, at the Paris Opéra. He was principal conductor of the Vienna Symphony 1986-1991.
His Royal Opera House, Covent Garden debut came in 1961, with first appearances at the Metropolitan Opera, New York City, and La Scala, Milan, later in the 1960s. He worked with Maria Callas on a number of occasions, and made recordings of Carmen and Tosca with her. For a time he was music director of the Paris Opera.
Aside from opera, Prêtre is best known for performances of French music, having conducted long and difficult works like Debussy's La Mer and Ravel's Daphnis et Chloé without a score (i.e. from memory). He is especially associated with Francis Poulenc, giving the premiere of his opera La voix humaine at the Opéra-Comique in 1959 and his Sept répons des ténèbres in 1963. In 1999 he gave a series of concerts in Paris to celebrate the centenary of Poulenc's birth. In 1988 Marcel Landowski dedicated his Fourth Symphony to Prêtre.
He also conducted the La Scala Orchestra in Franco Zeffirelli's 1982 film versions of Mascagni's Cavalleria Rusticana and Leoncavallo's Pagliacci. Both films starred Placido Domingo.
Prêtre has conducted the Vienna New Year's Concert twice, in 2008 and in 2010. He is the only French conductor to have been appointed for this role so far.
Prêtre married Gina Marny in 1950, and they have two children (one son, one daughter). Interests include riding, swimming, aviation, judo, and karate.
Prêtre died in France on 4 January 2017, aged 92.
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