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Infamous Beirut DJ Ernesto Chahoud takes over the NTS signal for his monthly 'Beirut Daze' slot, recorded in Lebanon and showcasing music from his far-ranging collection.
Who else sounds like Larry Heard? In the late 1980s, The Chicago house producer was one of the first artists – initially as a part of Fingers, Inc., and then as a solo act – to truly stamp their own unique aesthetic onto the nascent style of electronic dance music. Favouring lush instrumentation, foggy chords and dreamy melodies over the more mechanic pounding of many of his counterparts, he inspired the "deeper" sounds of the midwest's second wave, and generations of young clubbers elsewhere around the world. This In Focus features close to 3 hours of untouchable deep house beauty from Larry Heard - compiled, mixed and edited by Giles Smith.
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Elisabeth Schumann (13 June 1888 in Merseburg – 23 April 1952 in New York) was a German lyric soprano who sang in opera, operetta, oratorio, and lieder. She left a substantial legacy of recordings.
Career Schumann trained for a singing career in Berlin and Dresden. She made her stage debut in Hamburg in 1909. Her initial career started in the lighter soubrette roles that expanded into mostly lyrical roles, some coloratura roles, and even a few dramatic roles. She remained at the Hamburg Opera until 1919, also singing during the 1914/15 season at the Metropolitan Opera, New York. From 1919 to 1938 she was a star of the Vienna State Opera. Her most famous role was that of Sophie in Richard Strauss's Der Rosenkavalier.
In 1938 she emigrated to New York City where she lived until her death on 23 April 1952. During World War II she gave recitals but mainly taught singing, privately and at the Curtis Institute of Music in Philadelphia. After the war she gave many recitals in Europe, making a particularly successful comeback in England.
She was a much-loved artist, admired for her vivacity, elegance, and beauty. She was closely connected with Richard Strauss, Otto Klemperer, Lotte Lehmann, Bruno Walter, Wilhelm Furtwängler, and other leading musicians of the first half of the 20th century.
Honors Honorary Member of the Vienna State Opera and the first female Honorary Member of the Vienna Philharmonic.
Elisabeth Schumann (13 June 1888 in Merseburg – 23 April 1952 in New York) was a German lyric soprano who sang in opera, operetta, oratorio, and lieder. She left a substantial legacy of recordings.
Career Schumann trained for a singing career in Berlin and Dresden. She made her stage debut in Hamburg in 1909. Her initial career started in the lighter soubrette roles that expanded into mostly lyrical roles, some coloratura roles, and even a few dramatic roles. She remained at the Hamburg Opera until 1919, also singing during the 1914/15 season at the Metropolitan Opera, New York. From 1919 to 1938 she was a star of the Vienna State Opera. Her most famous role was that of Sophie in Richard Strauss's Der Rosenkavalier.
In 1938 she emigrated to New York City where she lived until her death on 23 April 1952. During World War II she gave recitals but mainly taught singing, privately and at the Curtis Institute of Music in Philadelphia. After the war she gave many recitals in Europe, making a particularly successful comeback in England.
She was a much-loved artist, admired for her vivacity, elegance, and beauty. She was closely connected with Richard Strauss, Otto Klemperer, Lotte Lehmann, Bruno Walter, Wilhelm Furtwängler, and other leading musicians of the first half of the 20th century.
Honors Honorary Member of the Vienna State Opera and the first female Honorary Member of the Vienna Philharmonic.
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