Over the past eight years Simon Whetham has developed a practice of working with sound recordings as a raw material for composition. These are often environmental sounds he has captured employing a variety of methods and techniques, in order to obtain discrete or obscured sonic phenomena.
In removing sound from it's source, and often amplifying it significantly, it becomes much more abstract – familiar, yet otherworldly. More recently, when presenting work in a performance or installation, for him the space and the…
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