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Malkani introduces the broadcast: ‘In what follows you will hear a mix that traverses the sonic borderlands and beyonds of Pakistan. From Balochistan to Badakshan. Stateless sounds that sing of love and landscape, that map secret, sacred geographies, that shatter the militarised illusions of nationhood in clamorous recall. We begin in dhamal and we end with a wai, which is to say we begin in ecstasy and we end in lament, which, admittedly, can sound inexplicably similar in these sonic worlds.’