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Converging Cultures: Faces Of War
London, 23.11.17
Futurists like Marinetti and D’Annunzio revelled in the destructive energy of battle, but in Weimar Germany after world war 1, artists such as Otto Dix and Hans Fallada documented the horror of disfigurement, while scientists and medics tried to rebuild ruined men.
Futurists like Marinetti and D’Annunzio revelled in the destructive energy of battle, but in Weimar Germany after world war 1, artists such as Otto Dix and Hans Fallada documented the horror of disfigurement, while scientists and medics tried to rebuild ruined men.
